leap year day (aka my favorites of 2007?)

When I returned from my "break" in late January which I spent out of the city/country since mid-December, I knew that I wanted to return with a "Best of 2007" post, because, that's why you do one of these things, right? Well, it took me for-fucking-ever to catch up on the insane amount of comics that accumulated while I was away. Now, it's juuuust about fucking March (thank you Leap Year Day) and it's way late, and I really don't care because I'm doing one anyway.

Good news is: I finally got caught up on my comics. Meaning, last week, I actually had no more new comics waiting to be read when Wednesday came around. Hopefully I return again with some regular updates.

And now that people have stopped talking about 2007 and moved on to something more important (2008), here we go with the late-as-shit list:

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MY FAVORITE TEN COMICS OF THE YEAR

(Comics that are eligible for me: an ongoing comic that has put out at least four comics in the calendar year.)

#1 SCALPED
(w. Jason Aaron, a. R.M. Guera)

Some people might lump this in as a "Best New Series" candidate since it's new to 2007, but for me, that would just be redundant (see below for my version). This was not my favorite new series, it was just my favorite series, period. It's often been called "The Sopranos on a Reservation," but that's not really fair to this series because it's definitely its own beast. It began as a story about an undercover FBI agent returning to the reservation where he was raised, and with each character that is introduced, and with each dramatic wrinkle that Aaron adds, it just gets better. Whether it's a fair and balanced view of Native Americans, I can't judge, but the dark world that Aaron presents has been an engaging one for comics. The Chief Red Crow issue (#7) and the look into Catcher (#9) were the highlights for me. At first, the art was the weak link: A bit hard to follow and confusing, but as the series has continued, Guera's look for this world has become as important as Risso's to 100 BULLETS or Dillon's to PREACHER.

With the excellent Vietnam series OTHER SIDE and now SCALPED, Aaron is definitely one to watch. It was only a matter of time before the "mainstream" superhero editors came a-calling, as Marvel definitely noticed, grabbing him for 2008 gigs on WOLVERINE and GHOST RIDER. With Y: THE LAST MAN over and the excellent 100 BULLETS heading into its last story, I'm ecstatic that this comic has emerged. Vertigo is in good hands.

#2 ALL-STAR SUPERMAN
(w. Grant Morrison, a. Frank Quitely)

Unofficially, this was my #1 for 2006 even though I wasn't putting things on the internet yet. But what's to be said about this title that many others haven't said? Basically nothing. So I'll rinse and repeat: Grant and Frank continue their epic run, which (when it comes out) is the best super hero comic on the stands. The time-traveling father issue (#6) and the first Bizarro issue were excellent.

#3 Y: THE LAST MAN
(w. Brian K. Vaughan, a. Pia Guerra)

**SPOILER WARNING** Although as of writing, the final issue has come out, at the end of the year we were still one shy. And the final year, and the final arc especially, have been amongst the series best. From the near perfect reunion issue with Beth, to the touching Agent 355 issue which ended in her surprise death, it has all been great. Since then, I have read the final issue, and I'm sad to see this title go.

#4 DMZ
(w. Brian Wood, a. Riccardo Burchielli)

This was a book high on my list last year (#3), and it still is this year. With the ending of "Public Works" and the awesome "Friendly Fire," this continues to be one of my favorite comics on the stands. "Wilson," one of the done-in-one's at the end of the year, especially stood out for me. I want to see more of him.

#5 CRIMINAL
(w. Ed Brubaker, a. Sean Phillips)

Another new book this year, and another comic that exposes my interest in comics that are crime-oriented. Brubaker is just getting started with this series, but both "Coward" (my favorite) and "Lawless" have been excellent stories to start with.

#6 FABLES
(w. Bill Willingham, a. Mark Buckingham - mostly)

The fourth Vertigo series on the list. I guess I'm a fan or something. As fun and as good as this series has been over the years, it has gone up another level. On the heels of the excellent Frog Prince origin story in 1,001 NIGHTS OF SNOWFALL, Willingham gives us the longest and best Fables storyline to date. The best thing about "The Good Prince" and why it works as well as it does, is because it DID have all of the issues that came before it. And that makes me happy.

#7 IMMORTAL IRON FIST
(w. Ed Brubaker & Matt Fraction, a. David Aja & Various)

Um, yeah, so I was late and oh-so-wrong about this title. After getting Issue #1, I didn't think it was good enough to add. After hearing others rave, I ebayed up the books at #8 and read them all in one sitting. So like I said, oh-so-wrong. Brubaker and Fraction are writing a bad-ass super hero comic and I'm glad that I jumped back on. The current storyline with an old-fashioned Kung Fu fighting bracket makes me giddy like a kid, but issue #7, where we focus on Wu Ao-Shi, the first female Iron Fist (formerly known as the Pirate Queen of Pinghai Bay), was my favorite.

#8 100 BULLETS
(w. Brian Azzarello, a. Eduardo Risso)

Another Vertigo book, and a book that would probably have been on my Top Ten for the last eight years. It was another year of mystery and some confusing plot advancement, and mixed in some of the best-drawn crime stories anywhere. The issue where one of Lono's victims (#85) enacts her own kind of revenge has been one of my favorites of the series.

#9 POWERS
(w. Brian Bendis, a. Michael Avon Oeming)

This series jumps back on my Top Ten list for the first time in a couple of years. Mostly because the publishing schedule seems to be getting back on track, but also because Volume 2 has been a really nice burn to the current point of the series. The ongoing soap of Deena and Christian has sucked me back in, and although I know I say it all the time, I still think this is the best thing Bendis writes.

#10 USAGI YOJIMBO
(w/a. Stan Sakai)

Back on my list with a really strong year for this series. In the aftermath of the amazing run where Usagi was traveling with his son Jotaro, the title took a step back from its own high standards, but with the series hitting the century mark (at Dark Horse), things have ramped back up. Sakai teased us for issues culminating in an epic battle vs. Shizukiri in #102, and then went right into the excellent Origin of Jei two-parter. The year ended with the multi part "Sparrows" which continues the Jei storyline, as the demon cements himself as the series' arch-enemy.

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MY FAVORITE "NEW COMIC" OF THE YEAR

(Basically, my version of the award is: a new title that has its first 3 or fewer issues in the calendar year, so I can't gauge it for best ongoing, but deserves to be recognized as one to watch.)

NORTHLANDERS
(w. Brian Wood, a. Davide Gianfelice)

This was a rather weak year, as last year (again, unofficially) I had a tie between CRIMINAL and LONE RANGER who both had just a couple of issues on the stands by the end of the calendar year 2006. NORTHLANDERS was the only new series to show promise and generate "fucking cool!" reactions from me. It does help that I've become a big Brian Wood fan, and that this has been one of my most anticipated books all year. Exhibit A. So far, I have read two more issues and I'm still really enjoying the opening arc.

**********

COMICS THAT MISSED THE LIST AND WHY

WASTELAND - Only missed because I think the ten ongoings above have had a better year. I'm really happy with what this book is doing.

LONE RANGER - The origin storyline that started out the series was great, and although the second arc had its moments, it wasn't as good, bumping it under the books above.

X-FACTOR - Probably the best Superhero team book that I'm reading. The Isolationist story was a nice culmination of character work that Peter David had been building to since the beginning.

ASTONISHING X-MEN - This is really an excellent title, but the publishing schedule and its furthering distance from main X-Men continuity have hurt it for me.

BUFFY THE VAMPIRE SLAYER - A really fun comic book continuation of the famous TV series. Not good enough however.

BATMAN - The three-issue J.H. Williams arc, "The Island of Mr. Mayhew" was as good as any super hero story I read all year, but at the start of the year, the publishing schedule was still erratic, and it ended with the awful Ra's al Ghul crossover, killing its chances for the list.

FELL - The best comic book not to make it on my list (#2 last year), but it was hurt by the fact that it only had two issues to come out all year. I look forward to more content in '08.

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MY FAVORITE SINGLE ISSUES OF THE YEAR

(My favorite single issues. Spoiler Warning in case you haven't read the issues and you wait for the trade on some of these titles.)

#1 SCALPED #7
"Down on the Killing Floor"

This was originally part 2 of the 6-part "Casino Boogie" storyline, but these six issues were essentially one shots that concentrated on individual characters in the book. This issue was the "big bad" issue, as the title's villain, Chief Red Crow, takes center stage. On the night of the grand opening of his new Casino, we get a glimpse into his past and his head and how he rationalizes decisions that he makes. The final sequence, and the last page were perfect.

#2 Y: THE LAST MAN #57
"Why and Wherefores, Chapter 3"

This actually came out the same week as the book above (what a week!), but it was still good enough for #2 on my list. The five years-in-the-making reunion of Beth and Yorick was somehow exactly what I wanted, expected and needed and Vaughan and Guerra expertly gave it to me. Awesome.

#3 100 BULLETS #85
"Red Lions"

The controversial and unpredictable Lono is my favorite character in the series. With that said, a victim of his from an earlier issue makes a surprise return, enacting revenge in her own way, exposing him for the monster that he is. Azzarello and Risso have created a comic with such unpredictability, that it actually got my heart rate up as I was tricked into thinking that this was his end. Good good issue.

#4 Y: THE LAST MAN #58
"Why and Wherefores, Chapter 4"

On the heels of the Beth issue, comes this issue where Yorick and Agent 355 talk about their feelings for each other, what it all means, and then when you are actually rooting for this and happy, Vaughan stuns you with her death. One of the things I was never sold on, was Yorick and 355 having feelings for each other. Slowly they won me over, and by the time I was half way through this issue I was sold, making the ending all the more tragic.

#5 ALL-STAR SUPERMAN #6
"Funeral in Smallville"

This issue was the done-in-one Time Travel issue where Superman comes back to his farm (with a couple of other traveling Supermen) to save the past from a monstrous threat. The art by Quitely is amazing as always, and Grant does Silver Age in the present so damn well it looks easy. There are some really nice moments between Clark and his dad.

#6 SCALPED #9
"A Thunder Being Nation I Am"

This was Part 4 in the "Casino Boogie" storyline. This issue focused on the mysterious Catcher, who up until this point had only been seen a few times. Usually cryptically, usually on a horse. We see that he is a bit of a joke, we see that he is Oxford-educated, and we see that like everyone else in this comic, he is complicated and surprising. Granny Poor Bear gets some extended panel-time as well.

#7 UMBRELLA ACADEMY: APOCALYPSE SUITE #1
"The Day the Eiffel Tower Went Berserk"

Since I didn't do a FAVORITE MINI-SERIES this gets no love there, but what a wonderful little surprise this was. Gerard Way, creator of lame-ass music, writes a wall-to-wall kick-ass fun comic. Including, but not limited to: Time Travel, a so-cool-could-be-a-villain Dad called Monocle, Zombie Robot Gustav-Eiffel as the first issue's villain, and not one, but count em, TWO monkeys. Well, it's one half-ape and a chimp, but still. Gabriel Ba, artist of the first arc on CASANOVA, shines here in full color. Not as original as some people claim it to be, but still really good, and one of the funnest single comics I read all year.

#8 CRIMINAL #5
"Coward Part 5 of 5"

The final part of this arc was definitely my favorite. This was the last part of the first series, where our main character Leo puts a huge spin on the arc's title. He was scared, but only scared of the monster within himself. Not only is this my favorite issue, "Coward" has been my favorite arc and this issue cemented the quality of the crime stories to come.

#9 USAGI YOJIMBO #104
"The Darkness and the Soul, Part 2"

This was part 2 of the two part Origin of Jei, and it was damn good. Jei has become arch-nemesis of our Yojimbo, but he is a demon and not an actual human. This issue we get more of the great samurai-turned-priest that is first possessed by the demon and you feel really sorry for what came of this man. Then we are invited to the pure fury of this demon unleashed, as an entire town falls at his spear when he is angered. Testament to this title and the brilliant Stan Sakai, this issue doesn't even feature the title character.

#10 RIPCLAW PILOT SEASON #1
"The Harrowing"

An odd choice for sure. From my original reaction, Jason Aaron is of course the writer:

What is such a unique Vertigo voice going to do with RIpclaw? The often derided character for being a Wolverine rip-off couldn't be interesting or worth your time, could he? Well, yes, yes he can. Aaron gives us a Ripclaw that for unknown reasons is being haunted by spirits, spirits that have unfinished business that Ripclaw needs to take care of. For this issue, it leads us to Japan and a small odyssey as Ripclaw has to fight through various levels of the heavily guarded headquarters of Boss Yamamoto. Ripclaw is quiet, violent and basically an uber bad ass. There were some levels of this place that were only hinted at, leaving me really curious what exactly Ripclaw even fought! Jorge Lucas's art is detailed and gritty, and what really struck for me about this book was that as violent as it was, aside from the final showdowns, a lot of the fights happened off panel.

The caveat to this series was of course that it was to be voted on for a possible ongoing series (which it inexplicably lost -- WTF Top Cow fans!?), and although who knows how it would have worked for ongoing, for one issue, this was one kick ass comic book.

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And that's all. I wanted to do more, such as BEST WRITER, BEST ARTIST, BEST STORY ARCS, BEST MINI-SERIES and BEST GRAPHIC NOVELS, but being sooooo late, maybe next year.

Since I referenced them so much (read: posterity's sake), my Top Ten Ongoings of 2006 were:

1. ALL-STAR SUPERMAN
2. FELL
3. DMZ
4. ASTONISHING X-MEN
5. LOVELESS
6. NEXTWAVE: AGENTS OF H.A.T.E.
7. Y: THE LAST MAN
8. 100 BULLETS
9. DAREDEVIL
10. LOCAL

new book: CRIMINAL and LONE RANGER

catching up on some comics

So I'm finally caught up on my reading. But that means there is something like 60+ comic books to talk about over a three week period. Unfortunately, it isn't gonna happen in any detail or I'll be writing all week. So I'm going with the abbreviated takes like I did when I let 60+ books build up on me around Comic-Con.

Here we go.

Week 1, OCTOBER 24TH

book of the week
STREETS OF GLORY #2
(w. Garth Ennis, a. Mike Wolfer)
After a really average preview issue, and more of the same first issue, this book takes a big leap up. Garth Ennis expertly settles us and the main characters into the town and world we are going to be living in. More characters are introduced, including old war buddies and railroad barons, and the history that everyone has. The most surprising, being Joe Dunn's ex-wife and the daughter he has never met. There are some Western cliches happening here, but it doesn't matter because now there are a whole lot of real, detailed characters demanding some panel time. I almost feel like the book needs more than six issues to let all of them have space and a comfortable conclusion. The dark gory ending is classic Ennis (and classic Avatar) and it catapults the series even farther along.

runner up
VELOCITY PILOT SEASON #1 - This was real close. Like Ripclaw, for at least one issue, this was a superb comic experience. And Kevin Maguire is fucking brilliant.

other real good comics
THE KILLER #5/6 - We fly past the midway point and the delay in printing is really the only thing wrong with the book. (Which makes very little sense considering it's a reprint of a French book that finished publishing in 2003.)
POTTER'S FIELD #2 - Great concept. I kind of want this as a TV show.
GREEN ARROW: YEAR ONE #6 - This little jam by Diggle and Jock closes out as one of the better minis of the year.
LONE RANGER #9 - Pretty fast paced issue for this title. Lone Ranger shot and dying on the cliffhanger.
DAREDEVIL #101 - Brubaker + Lark + Daredevil = Still one of the best super hero comics on the stands.

three-star comics
ULTIMATE SPIDER-MAN #115 - Another good issue in the re-energized Immonen era.
THUNDERBOLTS #117 - Pretty good issue. I really liked the scenes with Doc Sampson and Speedball.
X-MEN #204 - These quieter X-Men issues were always some of my favorites. I like that Carey is giving me that old feeling to be honest.
WALKING DEAD #43 - Good, but lets get to the WAR already!!
SHE-HULK 2 #22 - Solid start to Peter David's run with a lot of questions to be answered. Can't wait.
CASANOVA #10 - Some dirty sex scenes! Awesome.
FEAR AGENT: THE LAST GOODBYE #4 - So um, Heath has committed GENOCIDE? Shit. Wasn't expecting that.
DOKTOR SLEEPLESS #3 - Not great, but I'm still interested enough in Warren's crazy mind to stick with this.
WETWORKS #14 - Lots of vampires and monsters yapping about thrones and plans and double crossing, but I thought it was better than that sounds.
TRANSFORMERS: DEVASTATION #2 - Still no Six Shot whoopin' ass, but a solid issue.
ACTION COMICS #857 - This was probably my favorite issue of the Eric Powell/Bizzaro arc, but I'm kind of glad its over.

comics with problems
LOVELESS #20 - I'm sad that this book is here. Marcelo Frusin went MIA, Wes Cutter was killed and the book meandered through its teens, and now I'm just not sure what I think of the ghostly visions here. I will eventually give Azzarello the benefit of the doubt and read these again, together. It's no longer working for me as a monthly comic however.
SUPERMAN #669 - This was better than the first part, but I still feel its a bit dumb of DC to keep adding Kryptonians.
AUTHORITY: PRIME #1 - This wasn't really bad exactly, just not all that engaging. That's why its here.
CABLE/DEADPOOL #46 - This was probably my least favorite issue of the recent run. Was it the T'Challa/Storm Fantastic Four? I wonder. Hmm...
GEN 13 #13 - Gail Simone's up-and-down run with the Gen 13 kids concludes. Unfortunately, it was probably my least favorite issue in the run. I mean, they killed Kid Apollo! Seriously, I'm more curious to see what Simon "Exterminators" Oliver brings because they (read: Wildstorm) need a shot in the arm as they desperately try to find a good book.

bad
MEGATRON: ORIGIN #4 - This mini STARTED good, but by the end of the fourth issue I was just bored with it all, but more importantly, the hard to read, frustrating art has me desperate to reach the last page. Ugh.

***

Week 2, HALLOWEEN

book of the week
MOUSE GUARD: WINTER 1152 #2
(w/a. David Peterson)
The sequel to the break-out Mouse Guard chugs along into one of its better single issues. The cast of characters is pretty large now, and after being separated into two groups, the various mice have some nice character moments, especially the pairing of youngster Lieam and the aging Black Axe (my favorite). The plot slowed, but definitely hasn't stopped, as one set of mice make a big discovery. David Peterson's art continues to be amazing, as the look and feel of this book is gorgeous. Well done.

other real good comics
DAREDEVIL ANNUAL #1 - One of the better Annuals of the year for sure, and as good as the main title has been, one of the better Daredevil stories period. The plot isn't crazy original, with a criminal trying to go straight, but it was extremely well written and the art by Leandro Fernandez was awesome. Even at the end when there isn't much that separates the Black Tarantula from the Punisher, I thought it worked. I really hope the character makes a return appearance in the regular title.
CROSSING MIDNIGHT #12 - Bedtime Stories comes to its conclusion, and it ends up being my favorite arc of the series. By far.
WASTELAND #13 - Johnston and Mitten rolling on all cylinders as the second major arc comes to a close.

three-star comics
X-MEN MESSIAH COMPLEX #1 - Part 1 of 13. Aside from the Marc Silvestri art, which feels dated, this was actually a pretty good start to the crossover.
NEW X-MEN #43 - Nice issue. I'm really going to miss Skottie Young on this title, as I he was making the characters his own.
JACK OF FABLES #16 - I'm starting to like this title, maybe even enough to come off of my "We don't need this book, Jack should be in Fables" stance.
BATMAN #670 - Ra's al Gul, A Prelude. Harmless enough, and I even don't mind Tony Daniel. But following the epic three-parter with J.H., this return to normal super heroics just feels like a step down, even though its competent.
ACTION COMICS #858 - As anyone knows that reads this blog, I don't know much about DC and the history of their universe, so this Legion means little to me as far as incarnations go. Jimmy seems to be a reset of sorts, but whatever, it was a fun issue with some nice debut art by Gary Frank.

comics with problems
IRON MAN #23 - So-so issue with Iron Man starting to go insane. The art was rough here.
MIDNIGHTER: ARMAGEDDON #1 - On its own, it was a been-there-done-that Days of Future Authority issue. Problem is, this is the start of an entire storyline. Maybe it gets better (see TRANQUILITY below).
ULTIMATE POWER #8 - So part 8 of 9 and we are suddenly starting the MARCH ON ULTIMATUM. This story long lost any energy it might have had, so based on the last page, lets hope that at least the last installment has a very cool fight and the outcome actually matters (as was promised).
SAVAGE DRAGON #133 - It has been 15 issues (2+ years) that I've picked up a Savage Dragon comic. A big fan for a long time (I have the first 118 in a box), it isn't because the comic got bad that I stopped, it was just because I missed a few when I was broke and I've been waiting for a chance to catch up. Since that hasn't happened, I thought I'd check in. What did I find? A comic that has gotten even more retro, with two "8-pagers" instead of one story and lots and lots of word balloons jammed full of exposition that really didn't help me. Um, the fun wasn't there that I used to have, but I'll get it again in case it was due to the gap.

bad
STORM SHADOW #5 - This wasn't very good. A silly storyline that REALLY missed the dynamic art that Mark Robinson brought to the first arc.

***

Week 3, NOVEMBER 7TH

book of the week
Y: THE LAST MAN #59
(w. Brian Vaughan, a. Pia Guerra)
After the end of the last issue and the sudden death of one of our main characters, I didn't know what to expect in the penultimate issue of the series. Turns out, even MORE good stuff as most of the remaining plot threads come to a head in good and surprising ways. By the last page I'm taking a big breath with Yorick. One more issue.

runner up
SCALPED #11 - This was awesome. Y got the tie-breaker since it is ending, but this was a great comic. Gina Bad Horse takes center stage and of course, I'm now bummed that she's dead because she would have been an interesting POV to have.

other real good comics
ASTONISHING X-MEN #23 - The long wait was worth it, as Whedon and Cassaday are spot on. The telepathic conversation reveal was cool, but nowhere near as cool as Cyclops kicking ass. Loved the last page splash with the glowing red eyes.
CRIMINAL #10 - Excellent end to "Lawless" the second arc. And at this point, I liked "Coward" more, but its close. Great series.
STRANGE EMBRACE #5 - The creepy cover leads to even more of the creepy flashbacks. What's in store for our young hero listening to the past? Can't wait.
IMMORTAL IRON FIST #10 - No Danny Rand, but that's not enough to hurt this title. The Tourney continues in another great installment.

three-star comics
NEW AVENGERS: ILLUMINATI #5 - SPOILER: I had a lot of fun with this. The reveal of Blackbolt being a Skrull wasn't too much of a surprise, as he was the likeliest candidate. I hope the actual crossover is as fun.
BUFFY THE VAMPIRE SLAYER #8 - Season 8 continues, and issues between Buffy and Faith rear their ugly head again.
THE ORDER #4 - The best issue in this series so far. Its Fraction's wacky Casanova ideas filtered through mainstream super hero Marvel editorial. So far its working.
UNCANNY X-MEN #492 - Messiah Complex Part 2. We're still in the setting up phase, but with a 13-part storyline, we are only 15 minutes in to the movie, so that's okay with me. Cyclops smacking Xavier around was awesome. I love that he is getting some love. I'm having fun so far, which is good.
EXTERMINATORS #23 - Lots of crazy fun, with the roach vs. human battle reaching a climax.
MS. MARVEL #21 - A) Agent Sum is turning into a really cool character. B) Aaron Lopresti has cemented himself as a really solid comic book artist. C) Machine Man is still funny. With a female Life Model Decoy body that he got as a signing bonus? Even funnier.
OMEGA: THE UNKNOWN #2 - This comic is getting even weirder, but I'm still with it.
FANTASTIC FOUR #551 - The best issue in the McDuffie/Pelletier run, bar none. It had some moments that made me cringe, but for the most part it was a fun comic book adventure, with a neat twist on Reed's 100 fix-the-world things. Turns out he is a villain in the future, and super heroes (including Doom) have to come back in time to stop him. The cliffhanger, where Reed blows Namor's head off was genuinely cool, too. What more can you ask for?
FALLEN ANGEL #21 - This series spends another issue with Jude as the main character, which is fine. As he accepts his role as Magistrate, he and the book are getting better.
ROBIN #168 - Not bad, but just not all that good. It seemed like we stretched a beat out into an entire issue so that they can stretch the crossover.

comics with problems
SUPERMAN #670 - A so-so end to a so-so plot. The worst part was that I spent the whole issue just waiting for it to end the way it did with the "old lady" Kryponian returning to save the day because she DOES have a conscious. Ugh. Best part of this Kryptonian arc? Batman. Nuff said.
MIDNIGHTER #13 - This was a bit of a mess, story and art wise. The start of this storyline showed more promise, but at this point its stretching out a little long.
TRANSFORMERS SPOTLIGHT: RAMJET - They tried to make Ramjet interesting, but he came across as an idiot. This wasn't necessary at all.
SILVER SURFER: IN THY NAME #1 - I was really excited for this title. Tan Eng Huat's art, one of the main reasons I bought the book was just too much to handle and ruined the story for me. I don't even know if he was the primary culprit, as it is the colors that made it hard to decipher. I think I'm done with the mini, and that's too bad.

bad
TRANQUILITY: ARMAGEDDON #1 - So ARMAGEDDON doesn't get better. It gets worse. Besides the switch to an inferior artist in the middle, this just didn't work for me at all. Poor Wildstorm.

oh holy shit, we're almost there

Pretty fucking rad. Y: The Last Man #60:


(click to make much biggah)

quick takes: september 6

So I'm starting to fall a little behind here. Long hours at work is reducing my free time to "I want to sleep" time. So I think until things slow down again, we might be seeing the quick takes become the norm rather than the exception.

BOOK OF THE WEEK

Y: THE LAST MAN #58
(w. Brian Vaughan, a. Pia Guerra)
EXTRA SPOILER WARNING. It was between this and Scalped this week, and this won out basically because of the last two pages and that I'm more emotionally invested in these characters five years in. MAN, you suck Brian Vaughan. The death of one our main characters was a shock, and really unexpected. Silly me to think that everyone would make it out of this alive. This sets the stage for two more issues, and I couldn't be more excited.

runner ups:

SCALPED #8: The story of Catcher almost took the top spot this week. This comic book is easily one of the best on the stands, and this issue is no different with a wonderful look into Catcher's character. (Also, "Granny Poor Bear.")

STRANGE EMBRACE #4: Who would have thought that this would be one of my favorite reads, but it is. This issue we learn more about Anthony Corbeau, and it just gets weirder and weirder. Excited to see how Sukumar plays into the overall story.

other real good comics:

BUFFY FAITH THE VAMPIRE SLAYER #6: Brian Vaughan jumps in and does a spot on Faith, and Buffy fans everywhere celebrate that this comic will still be good even when Joss isn't writing. Scott Allie tries his best to make sure people understand that this is how the TV Series went as well, and he's right. Good issue by the crew, but more than getting Faith for an entire issue is getting some real good Giles time for the first time in Season 8.

SHE-HULK #21: If anyone ever uses this as an explanation for Marvel continuity I will be surprised, but it made for a really fun comic, and a really good end to Dan Slott's run. It will of course go down as a definitive one for the character.

three star comics:


FAKER #3: Some of the "What the fuck is going on?" is starting to be explained, and although its starting to go in a slightly different direction that expected, this has been a surprisingly good mini-series.

DOKTOR SLEEPLESS #2: This will indeed end up being the book that Warren Ellis uses to talk about the nutty things that could be right around our corner. This issue: shriekyware. Good or bad, this comic will be one of the more interesting ones month after month.

MIDNIGHTER #11: Its official, Keith Giffen has brought the level of this book up. Although the look into Midnighter's past is a bit odd, the 4-page fight sequence is one of the coolest one-on-one super hero battles recently.

INCREDIBLE HULK #110: One of the better issues outside of the WWH proper, as Cho uses some Hannibal Lector methods on the Hulk.

THE BOYS #10: Some people are going to say this issue was too out there, and they'll be right. Some might even say, this is more than just ridiculous, it's just not that good. They might even have a case. But even though I'm shaking my head when I close this book and say "Fucking Garth Ennis" it was with a big, entertained smile on my face.

THE EXTERMINATORS # 21: Once again, I'm entertained by this bug madness although it baffles me at times.

MS. MARVEL #18-19: This is the first time I've tried this title since #1, and it was mostly to read some Machine Man from Nextwave. The reports are true, he is a wonderful addtion to the cast, bringing his off-the-wall brand of humor with him. The book itself, has some old-school silly plotting with the Puppet Master as the tongue-in-cheek villain, but for the most part these were both fun comics.

NEW WARRIORS #4: I'm still enjoying this series, especially the way Jubilee is being used and the Paco Diaz art.

comics with problems:

UNCANNY X-MEN #490: This is what, the 4th part of a 5 part storyline? This has been mostly boring, and I find myself just wanting to see Magneto get involved.

CAPTAIN AMERICA: THE CHOSEN #2: This book was a bit average. And I say that as a fan of David Morrell. It was just slow, and as the mini-series continues, I bet it will read better. This was made for a trade to be honest. Breitweiser was pretty good on art with good

BLACK CANARY WEDDING PLANNER #1: This wasn't really worth the money, but it was what it was I guess. Some fun moments, and I do like the Black Canary, but overall it did little for me. Also, has Wonder Woman ever looked any shittier than she did during the lingerie scene? Besides being what I consider out of character for her, Lee Furgeson should be banned from ever drawing her ever again for that panel.

THE AMAZING SPIDER-MAN #544: I was kind of excited for this storyline until the end of last issue, where I find out that this is just a continuation of the horrible Kingpin storyline. This at least, won't have the same continuity issues that hurt character, but it will still have the same odd path Peter is going down. (She-Hulk #21 could help here.) Anyway, Quesada art was good, but the story is so-so at best. And if it leads to some sort of end to the MJ marriage, I worry for how this story will be remembered.

WOLVERINE #57: Welcome back Guggenheim. Welcome back to a mediocre Wolverine. Why is it so tough to do a decent Wolverine story? This was okay, as far as goofy action plots go, but the whole Wolverine having an Atlantean girlfriend and then (cliche) losing Atlantean girlfriend sending him on revenge, is just plain dumb.

MEGATRON: ORIGIN #3: This has quickly gone from interesting Megatron back story, to a history of the formation of the Decepticon movement. Which is okay, but the book is checking off a checklist of things that had to have happened now, and is no longer a story about Megatron's character. Also, something about the art is leaving me cold. Some panels are hard to make out, as it just feels muddy.

um, just no:

CITY OF OTHERS #4: Well, am I glad this is over with. Bernie Wrightson's art is good, but it can not save this perfectly pointless story about an evil man that becomes a vampire and how he deals with it. Or rather, nothing worthwhile is actually exploring this idea, its just the uninteresting setup part. Not good at all.